Before asking Nanis for any content, we reviewed reviews, menu, homepage, and sustainability materials. These insights should shape every creative decision.
Each video: 15–30 seconds, vertical 9:16, royalty-free music. You provide the raw footage — we handle all editing, text overlays, music, and colour grading.
Extreme close-ups of food at its most visually compelling moment — cheese pull, sauce drizzle, a perfectly assembled salad, bread being sliced to reveal the filling. No talking, no context, just beautiful food and music. These are the most scroll-stopping content type and perform best in paid ads.
- A stone baked focaccia being cut in half — steam rising, cheese or filling visible (Parmigiana or Mighty Meatballs are ideal)
- A salad being assembled — someone adds the final ingredient and tosses it in slow motion (Caesar or Chicken Fattoush)
- The new pistachio & raspberry bun broken open to reveal the filling — vibrant colours
- Sauce or cream being poured over Tortelloni — rich, comforting visual
- A fresh juice or smoothie poured from above into a glass
- Almond croissant torn apart to show flaky layers and frangipane
- Phone held VERY close — close enough to fill the frame entirely with food
- Natural window light only (no flash). Morning light is best.
- Slow-motion if your phone supports it — any modern iPhone/Samsung does (240fps preferred)
- Background — light wooden board, cream surface, or white plate as default. Dark/slate surfaces only if the food is very colourful (e.g. a vibrant salad or red sauce). Most Nanis items — focaccia, Milanese, pastry — look best on light surfaces.
- Film within 2 minutes of plating — food looks best immediately after prep
- Shoot 5–8 takes per item. We'll pick the best frame.
A montage that shows the shop is busy, real, and welcoming. No scripts. Just genuine moments. This directly addresses the service perception issue by showing the human side of Nanis. It also proves the place is popular — nobody wants to eat somewhere that looks empty.
- Staff smiling and serving — capture at least one genuinely warm, natural moment (don't force it)
- The exterior from outside — a person or two walking in through the door
- The focaccia/salad counter fully stocked and looking fresh and abundant
- A customer receiving their order and looking pleased (always ask permission first)
- The lunchtime queue — shows popularity, frame it positively
- Any detail that signals heritage — the sign, the logo, the address, an old photo if available
- Film on a Tuesday or Wednesday lunchtime — typically the busiest midweek period
- Brief all staff the day before — don't surprise anyone on camera
- Slightly shaky handheld footage is fine and actually feels more authentic than a tripod
- 30–60 seconds of raw footage is enough — we'll cut it to 20 seconds
A genuine 15–20 second clip of a regular customer talking about a specific item they love. Do NOT script this. Ask an open question and let them answer naturally — even a slightly hesitant or imperfect delivery is 10× more convincing than a polished performance.
- Identify 2–3 regulars throughout the week — people who come often and leave happy
- Start with a context question first: "Could you just say briefly what you do and where you work?" — this gets them to say something like "I'm a designer, I work in an office just around the corner" or "I work in the tech company upstairs." That one sentence makes the whole review feel real and relatable to anyone watching.
- Then ask the main question: "What do you always order here and why?" — this gets a specific, genuine answer about the food
- Film vertically at eye level, with the shop or their food in the background if possible
- Record 2 takes and use the more natural one — don't over-direct
- Always ask verbal permission and confirm they're happy being on Instagram
- A viewer who sees "I'm a project manager, I work nearby" immediately thinks "that's someone like me" — it's instant relatability
- It also shows you as a real local workplace staple, not just a tourist stop — which is exactly the corporate catering audience we want to attract
- It doesn't need to be long — even 5 words of context ("I work just across the road") changes the entire feel of the clip
Online order customers are among the easiest people to ask for a review — they've already engaged with the brand digitally, they placed a deliberate order, and if the food arrived well, they're at peak satisfaction when they finish eating. That's the exact moment to reach out.
- Timing: Contact 30–60 minutes after the estimated delivery time — not immediately after ordering, and not the next day. Catch them while the experience is fresh.
- Channel: Email is the cleanest if order details capture it. Keep the message short — one sentence about the food, one ask, one direct link to the Google review page. No long paragraphs.
- Suggested message: "Hi [name], hope you enjoyed your [item] — we'd love to know what you thought. If you have 30 seconds, a Google review means the world to a small independent like ours: [direct review link]."
- Direct link: Never send them to Google Maps to find Nanis themselves — create and share the direct Google review link so it opens the review box immediately with zero friction.
- Don't tell them what to write — just remind them to mention what they ordered if they can. A review that says "the Milanese sandwich was excellent, arrived hot" is worth 10× a generic "great food."
- If you want a video review from an online customer, the message can include: "Or if you're feeling generous — a short video review for our Instagram would make our week." Keep it light, never pressured.
- Customers who ordered online are also more likely to be corporate clients or regulars — their reviews tend to be more detailed and carry more weight with other potential corporate customers.
We will set up the direct Google review link and draft the follow-up message template as part of Phase 1 setup. You send the message — we provide the copy and the link. Volume of reviews from online customers should be tracked monthly as a KPI alongside order numbers.
A simple "this or that" video showing two food items side by side and asking the audience to choose. Drives comments and saves, which signals the algorithm to push reach further. Keep it warm and appetising — skip humour in Month 1. The brand isn't established enough yet for comedy to land. Save that for Month 3+ once there's familiarity.
- Focaccia vs a Sando — "Your London lunch: pick one 👇"
- Full English Breakfast Box vs an almond croissant — "Monday morning fuel — which side are you on?"
- Caesar Salad vs Chicken & Halloumi Fattoush — "Classic or bold?"
- Place both items side by side on a clean surface, film from directly above or slight front angle
- We add all text overlays, music, and CTA in editing — just give us a clean food shot
- Film 3–4 different pairs so we have choices
A short montage around the fact that you've been feeding London for over 50 years. "Over 50 years. Still freshly made." This is a powerful trust signal that almost no competitor can match — use it. Keep it short and punchy, not nostalgic or slow. Aim to make it feel proud, not sentimental.
- Any old photograph from early years — even a photo of a photo taken on a phone works fine
- The exterior of 134 Great Portland Street — a clean wide shot of the sign
- Current food looking premium — contrast then vs now
- If there's a founder or staff member who has been there many years — even 5 seconds of them is powerful
You provide the raw photos. We handle all design, text overlays, colour correction, and layout. Below is the exact brief for what to photograph and how.
Individual beauty shots of the best-looking menu items. These will be used most frequently in paid ads and should be shot with the highest care. One item per photo — no clutter.
- Coffee — cappuccino or flat white — Most mentioned product in all reviews. Film being made by Umara or Rehana (with permission). Latte art, steam, the cup. This is the #1 morning content asset.
- Milanese Sandwich — Most mentioned specific food item. Reviewers call it their daily order. Shoot it cut in half to show the layers — breaded chicken, cheese, sauce. Must-have.
- Italian Club Focaccia — avocado, chicken, bacon, tomatoes. Very strong colours. Cut open shot.
- Parmigiana Focaccia — Parma ham, mozzarella, artichokes. Visually the most complex and premium.
- Almond Croissant — Zero negative reviews. Torn open to show frangipane layers. Safe and beautiful always.
- Spaghetti / Meatballs & Pasta — 5yr loyal customers credit this dish. "As good as any in Italy." Shoot with steam and sauce glistening.
- Caesar Salad or Caesar Wrap — "Best NYC-style Caesar wrap in London." No negative reviews. Clean, fresh, broad appeal.
- Pistachio & Raspberry Bun (NEW) — New 2026 item. Vibrant colours. Algorithmic boost from newness. Broken open to show filling.
- Shoot from above (flat lay) OR at a 45° front angle — not straight-on eye level
- Natural window light only. No flash — it kills texture and colour.
- Background — default: light wooden board or cream/white surface. This is the right choice for most items on the menu. Light backgrounds let the food's natural colours do the work — the golden focaccia, the almond croissant, the green in a salad all pop naturally against a pale surface.
- Dark or slate backgrounds: use sparingly. Only works when the food itself has strong, contrasting colours (e.g. a bright red strawberry dessert, a vibrant salad). Avoid dark backgrounds for bread, pastry, the Milanese, or anything golden/beige — they go flat and unappetising.
- Photograph within 2 minutes of plating — freshness shows on camera
- 5–8 shots per item at slightly different angles — we'll choose the best
These photos are backgrounds for bold text overlays ("Lunch under £10", "Order Now", "Catering for your team"). They don't need to be as tightly styled — the text does the heavy lifting. We just need the food to be clear and well-lit.
- A spread of 3–4 items together on a table — focaccia, salad, drink, bun. Shows variety.
- A full breakfast box, open, all components clearly visible
- The salad counter with multiple options on display — abundance, choice
- Coffee being poured or presented — works as a warm background for "Morning Deals" or "Order Before 9am" promo posts
Photos that show the space, the team, and that this is a real, busy, human place. This category directly counters the negative review perception. These don't need to be styled — they need to feel real and warm.
- A staff member smiling naturally while serving or preparing food — unposed if possible
- The exterior of 134 Great Portland Street, ideally with a customer entering
- The interior showing the food display counter — full, fresh, appetising
- A customer (with permission) enjoying their food — a candid over-the-shoulder shot works well
These carry our designed brand graphics — the photo is secondary, the design and copy are the hero. We can often use existing or stock visuals for these. But the following raw materials would help enormously.
- Any old photo from early years of the shop (physical photo photographed on a phone is fine)
- A casual team photo — even an informal one taken before or after service
- A photo of the branded packaging — bag, box, compostable containers
- A corporate catering delivery or event setup if you have one this month
Content that speaks directly to office managers, PAs, event planners, and corporate clients — not the individual lunch customer. Three distinct sub-categories below, each with their own visual style and audience. Brief all three now so the photos are ready when Month 2 begins.
- A generous spread laid out on a conference table — focaccias, salads, wraps, pastries together. Shows quantity, variety, and that it looks impressive in an office setting. If no real delivery is available, set it up in the shop.
- Branded boxes and bags being prepared for a delivery — shows professionalism and care in packaging
- A delivery arriving at a reception desk or meeting room (with permission if using a real client)
- Caption angle: "Friday lunch sorted. We deliver across Central London for teams of any size."
- A styled breakfast meeting setup — breakfast rolls, pastries, juices, and coffee cups arranged neatly on a table as a complete bundle. This is a specific packaged product, not just loose items.
- Shoot it from above (flat lay) to show the full spread clearly — this is the "hero shot" for the package
- A close-up of the coffee alongside the pastries — reinforces the premium quality angle
- Caption angle: "Breakfast meetings, handled. From 6 people to 60 — delivered to your office, ready before 9am."
- Canapés and savoury bites arranged on a slate or board — styled, premium, visually impressive. These are for networking events, receptions, and corporate dinners.
- Variety shot showing 4–6 different canapé types together — abundance and choice
- A close-up of one or two individual canapés — texture and detail
- Caption angle: "Networking events, receptions, and corporate dinners — canapés and savoury bites delivered and ready to impress."
- Note: Canapé photography needs strong natural light and a clean dark or slate background — the richness of colour works better here than for the café food.
- A Nanis pop-up setup inside an office environment — food laid out, staff serving, colleagues choosing. This is a unique differentiator most competitors don't offer.
- If a real pop-up happens, film it — even 30 seconds of footage is valuable. People eating, smiling, the setup looking professional.
- Caption angle: "We don't just deliver — we set up in your office. Pop-up lunch, sorted."
- This requires a willing corporate client. If one comes up in Month 1 or 2, prioritise capturing it even if it's not planned as a content shoot.
Great content starts with genuine brand truths — not generic claims. Below are prompts to work through so we can build content that's specific, believable, and differentiating. These answers will feed into both social posts and ad copy across all 3 months.
- Where does your meat come from — do you have a specific supplier or type you're loyal to? (grass-fed, British, free-range, etc.)
- How often do you receive fresh vegetable deliveries, and who supplies them?
- Which items use a recipe that's been the same since the early years — and what makes it hard to replicate?
- Do you bake any items in-house (the focaccia, the buns)? If so, how often and when?
- Is the focaccia bread made fresh daily in-house, or sourced? If in-house — show us the process.
- Are any items or ingredients certified (free-range, sustainable, organic, Rainforest Alliance, etc.)?
- What time does preparation start each morning, and what's the first thing that gets made?
- Which dishes take the most skill or time to prepare — and could that process be filmed?
- Are there any recipes (dressings, sauces, meatballs) that have been made in-house since the beginning?
- How is food checked for quality before it goes to the customer? Is there a standard or process?
- Are there any allergen or dietary practices that go beyond what's legally required?
- Who founded Nanis in 1972, and is that story something we can share?
- Are there customers who have been coming for 10, 20, or even 30+ years? Could they share a sentence on camera?
- Has anything on the menu been there since the beginning? If so, what?
- Have any notable events, companies, or famous people from the area been regulars?
- Any archive photos, menus, or newspaper clippings from early years we can reference?
- Are there any team members who have been here for 5+ years? Their story is content gold.
- Where does the team come from — is there a cultural background that influences the food?
- Is there a team ritual, tradition, or in-joke that could be shared in a lighthearted way?
- What's the best thing about working at Nanis, in the team's own words?
These are genuine sustainability credentials that most competitors around Great Portland St can't match. This content builds trust with conscious consumers and corporate clients alike. We recommend introducing this gradually — starting Month 2 — to avoid overwhelming the feed in Month 1 while the brand is being re-established.
A static graphic post or short video showing your compostable packaging. The "since 2017" fact is the hook — it proves this isn't greenwashing, it's a genuine long-term commitment.
- A clean, styled shot of the packaging — boxes, bags, containers — arranged neatly on a surface
- If possible: a close-up of the "compostable" or "recyclable" marking on the packaging
- A delivery being packed — hands placing food into the compostable containers
Announce or remind followers that you're on Too Good To Go. The TGTG audience is already actively looking for partner businesses — this post could drive real new followers and customers from within the app's user base. The app itself often reshares partner content.
- A "Magic Bag" being prepared or handed to a customer
- The Too Good To Go app logo alongside Nanis branding — we'll handle the graphic design
This bridges quality and sustainability — made to order means less waste AND fresher food for the customer. It's a two-for-one message. Film behind the counter: hands assembling a focaccia or salad to order, immediately after a customer places an order.
- Film the moment a customer orders and prep begins — show the immediacy
- Close-up of hands assembling the dish — this is the "proof" shot
- Time it if possible: "Your focaccia — made in under 3 minutes"
A strong offer does two things: it gives someone who's already curious a reason to act now, and it removes the risk of trying something new. The goal here is to add genuine value to the first online order — not discount the product — so the pricing feels justified and the customer feels like they got a bonus, not a bargain.
- →£15 threshold is effortless — one focaccia or Milanese clears it. No one feels like they're stretching to qualify.
- →Almond croissant = zero negative reviews — the gift feels premium and is universally loved. It introduces a second product to first-time customers.
- →No discount on core items — the focaccia and Milanese stay full price. We add value, we don't subtract it.
- →"This week only" creates urgency without feeling desperate. It's a launch window, not a clearance.
- ↑Dream outcome: Great fresh London lunch at your desk — no queue, no effort, no disappointment.
- ↑Perceived likelihood: Free bonus + 50yr heritage = feels safe to try for the first time.
- ↓Time delay: "Order now, delivered today" — immediate fulfilment is the message.
- ↓Effort: One click, one URL. The ad takes them directly to the order page — not the homepage.
Can the team reliably add an almond croissant to every qualifying online order during this week? If fulfilment is inconsistent — even once — the offer backfires and generates a complaint. Worth a quick operational check before the campaign goes live.
25 Instagram posts + 4 Google My Business posts per month. Primary goal: drive online orders. Coffee appears 1–2× for brand warmth. Every week has a GMB post to support local search ranking.
GMB posts support local search ranking and appear directly in Google Search results and Maps. They should be short (2–3 sentences), always include an action button, and link to the online order page. Post once per week — Monday morning is ideal for office worker visibility.
"Fresh food, made to order — since 1972. Nanis is Great Portland Street's independent deli serving London's best focaccias, salads, and hot lunches. Order online for delivery or swing by 134 Great Portland Street."
"The Milanese sandwich — breaded chicken, melted cheese, and Nanis' own sauce. Made fresh when you order it. Londoners have been coming back for it for years. Order it online today."
"This week only: order online over £15 and we'll add a free almond croissant to your order. No code needed — just order at nanis.co.uk before [date]."
"Enjoyed your lunch at Nanis? A quick Google review means the world to us and helps other Londoners find us. It takes 30 seconds — and we read every single one."
Products are ranked by content priority and labelled by source — so it's clear what's backed by customer reviews, what Nanis considers a signature, and what their best-selling categories are. Many items carry more than one label.
Specific things we should not do in the first month, based on research and strategy.
- No humour or banter in Month 1. The brand isn't established enough. Humour lands when people feel familiar — save it for Month 3+ once the feed has warmth and personality.
- Don't film anything that makes the queue look chaotic or the space cramped. Reviews mention this. Reframe queues as a positive signal — "clearly popular" — or don't feature them at all.
- Don't film staff without asking first. Given some tension mentioned in reviews, everyone should feel comfortable and willing on camera. Brief the team the day before, not the moment of filming.
- Don't post blurry or dark photos. With 760 followers, the feed needs to look premium from post 1. Reject any photo that isn't sharp, well-lit, and composed cleanly. It's better to post fewer great photos than more mediocre ones.
- Don't make CSR claims you can't back up. Only post sustainability content you can speak to confidently if questioned — especially "plastic-free since 2017" (please confirm the exact date) and "carbon-limiting deliveries" (please confirm if you use an electric vehicle).
- A small note on kitchen filming — for the team's awareness. When chefs are passionate about their food, it naturally shows — tasting during prep, reacting to flavour, sharing that excitement is genuinely great on camera and shows real craft. One thing worth keeping in mind: moments like tasting directly from a finger, licking it, and then continuing to prepare food can come across as unhygienic to some viewers — even if that's not the intention. It's simply a camera framing consideration. For filming purposes, a clean spoon or a small taste from a fresh portion achieves the same warmth and authenticity, and keeps all attention on the food where it belongs. The passion and personality — absolutely keep that.
- 📋 Internal Note — DevsstreamAd activation for customer review content will be held for the first 2–3 weeks. We will run these organically first to identify which creative generates the strongest engagement before allocating paid budget. This ensures we spend efficiently rather than guessing.
Everything mapped across the 3-month plan. Month 1 is confirmed. Months 2 and 3 are directional and may adjust based on performance data.
| Item | Content | Type | Month | Ad Use? |
|---|---|---|---|---|
| V1 | Cinematic Food Close-Up | Video | M1 | Yes |
| V2 | A Day at Nanis — Atmosphere | Video | M1 | Maybe |
| V3 | Customer Review Reel | Video | M1 | Yes |
| V4 | "Which One?" Engagement Reel | Video | M1 | No |
| V5 | "Since 1972" Heritage Story | Video | M1 | Maybe |
| P1–8 | Hero Product Shots (8 items) | Photo | M1 | Yes |
| P9–12 | Promo / Offer Backgrounds (4) | Photo | M1 | Yes |
| P13–16 | Atmosphere & People (4) | Photo | M1 | Maybe |
| P17–20 | Brand & Info Posts (4) | Photo | M1 | No |
| S1 | Plastic-Free Since 2017 | Photo/Graphic | M2 | Maybe |
| S2 | Too Good To Go Partnership | Photo/Graphic | M2 | No |
| S3 | Made Fresh To Order — Video | Video | M3 | Yes |
| C1 | Catering: "We feed teams too" — awareness | Photo | M1 | No |
| C2 | Catering: Office team lunch — Central London delivery | Photo | M1 | No |
| C3 | Catering: Team lunch / office delivery spread | Photo | M2 | Yes |
| C4 | Catering: Breakfast meeting package — styled flat lay | Photo | M2 | Yes |
| C5 | Catering: Canapés & savoury bites — corporate events | Photo | M2 | Yes |
| C6 | Catering: Office pop-up — capture when it happens | Video | M3 | Maybe |
Following this process ensures we receive files at the right quality, can find everything quickly, and can edit and post on schedule. Please read through before the first shoot.